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life on mars

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·        To what extent can  S1 episode 1  of  Life on Mars be seen as a  postmodernist  text ?  ·        Which  postmodernist techniques  and attitudes does it use , refer to or follow in its narrative , mise-en-scene, performance, visual/audio codes etc. ? ·        Does it also use  more traditional  established techniques to connect with its audience , such as follow established genre conventions, create original characters, follow a linear narrative etc. ? ·       Hyperreality world= postmodern/ who’s reality? ·       References to another era adds to the idea of postmodernism ·        MISE EN SCENE refrences 70s   ·       Cars ·       Costume= long leather jacket ·    ...
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The bridge season 3 episode 1

narrative The bridge generally starts of with a dead body and has  long form narrative. Plots and subplots follow through into each season and episode which causes enigmas to occur. enigma also occurs when new characters appear on screen as we wonder if they are the killer , to add to this things they do raises suspicion of each character. Additionally, the narrative tends to be restricted as we do not necessarily know anymore than Saga who is the main character. Genre codes In the bridge it follows typical conventions of a crime drama , for example the way the characters are presented. When applying this to The Bridge Saga is the detective who follows stereotypes in crime dramas and she barely has a life outside her job also, she socially awkward. furthermore , you have her sidekick Hanne, yet again this follows conventions of a crime drama as this structure of characters is clearly shown in many characters such as Life on mars. Technical codes Within the fall the ...
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The Daily Mirror analysis

Analyse the following covers in terms of how the technical codes ( main image, headline, pull quote etc.) persuade the audience to buy the newspaper and how the audience is being persuaded to respond to the main news story.Consider issues of iconography, binary oppositions and semiotics. The Daily Mirror is a traditionally left-wing paper owned by Reach and The Trinity group. The tabloid newspaper published a cover about the US election of Donald Trump on the 10th November 2016 which used many technical codes to sell its product as well as their news agenda. Furthermore, a range of theories such as Curran and Seaton power theory explain how The Daily Mirror maintain their position as a successful paper. The main image uses the iconography of The Statue of liberty and the idea of patriotism but creates a juxtaposition as the message conveys that it was idiotic to elect trump. The theory of semiotics by Barthes could be applied as the statue is a sign and through signification, th...
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