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The bridge season 3 episode 1

narrative The bridge generally starts of with a dead body and has  long form narrative. Plots and subplots follow through into each season and episode which causes enigmas to occur. enigma also occurs when new characters appear on screen as we wonder if they are the killer , to add to this things they do raises suspicion of each character. Additionally, the narrative tends to be restricted as we do not necessarily know anymore than Saga who is the main character. Genre codes In the bridge it follows typical conventions of a crime drama , for example the way the characters are presented. When applying this to The Bridge Saga is the detective who follows stereotypes in crime dramas and she barely has a life outside her job also, she socially awkward. furthermore , you have her sidekick Hanne, yet again this follows conventions of a crime drama as this structure of characters is clearly shown in many characters such as Life on mars. Technical codes Within the fall the ...
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life on mars

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·        To what extent can  S1 episode 1  of  Life on Mars be seen as a  postmodernist  text ?  ·        Which  postmodernist techniques  and attitudes does it use , refer to or follow in its narrative , mise-en-scene, performance, visual/audio codes etc. ? ·        Does it also use  more traditional  established techniques to connect with its audience , such as follow established genre conventions, create original characters, follow a linear narrative etc. ? ·       Hyperreality world= postmodern/ who’s reality? ·       References to another era adds to the idea of postmodernism ·        MISE EN SCENE refrences 70s   ·       Cars ·       Costume= long leather jacket ·    ...
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charity ads

representation the girl is white, Br itish and middle class- audience can establish and associate themselves with her quickly as it is targeted at white B ritish middle class parents. The fact shes middle class and her house is bright and warm connecting to happiness creates more of a differences to the ending of the grey dull tent signifying depression and sickness Technical codes The lighting and colours gradually get darker and darker as the advert goes on - signifies road to destruction Mid-shot of girl holding sprinkles foreshadows the bomb going off later on Long shot of setting allows audience to establish that it is set in London, allows them to think about them in that situation because it makes is close to home At the end there is direct address when the birthday comes round again, the girl looks directly at the camera this is for emotional effect The fact save the children used a young girl creates sympathy candles at the beginning are bright ...
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